Name

00-Resources

01-GROUND ZERO - WEEK ONE

02-CINEMATIC SCREENWRITING - WEEK ONE

03-NARRATIVE VOICE - WEEK TWO

04-IMMERSIVE SCREENWRITING - WEEK TWO

05-OPTIMIZE YOUR SCREENPLAY - WEEK THREE

06-LINE BY LINE TRAINING - WEEK FOUR

07-SCREENPLAY LIBRARY

00-Resources.txt

01-WHY YOU NEED TO HIJACK THE HOLLYWOOD READERS BRAIN.mp4

02-CINEMATIC vs INSTRUCTION MANUAL WRITING.mp4

01-THE FIVE VISUAL ELEMENTS – A Belt Braces Primer.mp4

02-HOW TO WRITE FOR THE CAMERA.mp4

03-HOW TO WRITE A CINEMATIC SEQUENCE.mp4

04-ASSIGNMENT 1 THE SHOT GAME.mp4

05-THE SHOT GAME – Watch Scriptfella Pros In Action.mp4

06-HOW TO CREATE MOVING CAMERA SHOTS ON THE PAGE.mp4

07-ASSIGNMENT 2 PAGE 1 IMAGE BOMBS.mp4

08-HOW TO USE COSTUME PROPS IN YOUR SCRIPT.mp4

09-ACTING ON THE PAGE.mp4

10-OPTIMIZE YOUR LOCATIONS.mp4

11-9 WAYS TO LIGHT UP YOUR SCREENPLAY.mp4

12-9 WAYS TO LIGHT UP YOUR SCREENPLAY – Case Study 1917 Wilson-Cairns.mp4

13-9 WAYS TO LIGHT UP YOUR SCREENPLAY – Part Three.mp4

14-9 WAYS TO LIGHT UP YOUR SCREENPLAY – How to Use Colour Psychology on The Page.mp4

15-THE SIXTH ELEMENT – SOUND DESIGN.mp4

16-READER PSYCHOLOGY.mp4

17-ASSIGNMENT 3 WRITE LIKE RENATO.mp4

18-WRITE LIKE RENATO – Watch Scriptfella Pros In Action.mp4

01-NARRATIVE VOICE – The Lowdown.mp4

02-NARRATIVE VOICE – The Princess Bride Goldman.mp4

03-NARRATIVE VOICE – Promising Young Woman Fennell.mp4

04-NARRATIVE VOICE – The Brigands of Rattleborge Zahler.mp4

05-NARRATIVE VOICE – The Good Wife King King.mp4

06-NARRATIVE VOICE – A Cautionary Tale Morgan.mp4

07-NARRATIVE VOICE – Is Alien REALLY a Good Read.mp4

08-NARRATIVE VOICE – Shawshank Redemption Darabont.mp4

09-NARRATIVE VOICE – 7 Lessons.mp4

10-ASSIGNMENT 4 5 - NARRATIVE VOICE SWITCHUP.pdf

10-NARRATIVE_VOICE_SWITCH_UP_FINAL.pdf

01-SENTENCE CONSTRUCTIONS – Why NVO Rocks.mp4

02-THE CLAUSE OPENING – A Major Banana Skin for Screenwriters.mp4

03-THE PERILS OF THE PASSIVE.mp4

04-VANILLA VERBS – Hunt Them Down.mp4

05-VANILLA ADJECTIVES – Search Destroy.mp4

06-SUBOPTIMAL VERBS – Is Are.mp4

07-THE PRESENT CONTINUOUS – When Should You Use It.mp4

08-WE SEE WE HEAR – Do You Want to Detach the Reader from the Characters.mp4

09-ASSIGNMENT 6 THE COPACABANA ONER.mp4

09-ASSIGNMENT 6 THE COPACABANA ONER.pdf

09-Goodfellas_Final_Assignment_1_Week_2_.pdf

10-ASSIGNMENT 7 - IMMERSIVE SCREENWRITING - Rewrite Page One of Baby Driver.pdf

10-baby-driver-2017.pdf

11-THE CLOSE PROXIMITY DISEASE.mp4

12-ONE SHOT WORD WEAPONS.mp4

13-SCENE GEOGRAPHY – Dont Get Stuck In the Bocage.mp4

14-THE TEN DISEASES OF DIALOGUE AND CURES – Part 1.mp4

15-THE TEN DISEASES OF DIALOGUE AND CURES – Part 2.mp4

16-HOW TO MASTER A CHARACTER INTRODUCTION – Six Techniques.mp4

17-THE TRICKY TEAM CHARACTER INTRO.mp4

18-TEAM CHARACTER INTRO - CASE STUDY - As Far As The Eye Can See - Ed Tuke.pdf

19-HOW TO NAME YOUR CHARACTERS.mp4

20-WHY YOU NEED TO FIGHT FOR THE INCHES ON THE PAGE.mp4

01-HOW TO HOOK A READER ON PAGE 1.mp4

02-THE TITLE PAGE – Just The Facts.mp4

03-PAGE ONE – Page Design.mp4

04-THE OPENING IMAGE – Your Whole Story in One Picture.mp4

05-HOW TO OPEN A MOVIE ON PAGE ONE – Narc Carnahan.mp4

06-THE FINAL ASSIGNMENT OPTIMIZE YOUR PAGE ONE FOR THE HOLLYWOOD READER.mp4

01-SOLUS – By Alex Knight.mp4

02-LOWER LIFEFORMS – By William Kershisnik.mp4

03-KEY WEST - by Rick Ryan.pdf

03-KEY WEST – by Rick Ryan.mp4

04-ELKINGTONS WAR – By Matthew Skeate.mp4

05-THE WITCH – By Roberto Gerardo.mp4

06-KILLER RATINGS – By Jack Carey.mp4

07-PROMISELAND – By Doug Tucker.mp4

08-THIN PLACES – By Braden Croft Travis Shewchuck.mp4

09-EL TITAN – By George Perez.mp4

01-A WORD TO THE WISE.pdf

02-Better_Call_Saul_3x05_-_Chicanery.pdf

03-1917.pdf

04-Brigands of Rattleborge The by S Craig Zahler.pdf

05-Catherine the Great.pdf

06-Good_Wife_1x01_-_Pilot.pdf

07-Goodfellas.pdf

08-Lawrence of Arabia by Robert Bolt.pdf

09-Narc.pdf

10-Promising_Young_Woman.pdf

11-Shawshank Redemption The 19930222.pdf

12-the-princess-bride-1987.pdf

13-TrainingDay.pdf

14-WHIPLASH 032012 - Damien Chazelle.pdf

15-baby-driver-2017.pdf